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USA; Randall Wallace; Directed by: Mel Gibson; actors: Patrick McGoohan; ; 2 hour 58 Minutes. Braveheart movie streaming. A Superb Movie. saw it when i was 12 Years old and was blown out by the class of the movie. Wallace is portrayed as a beacon of strength and power, not to mention a much honoured leader... Mel Gibson is great in the movie... The scenes in which william wallace's wife is killed and william wallace executed are heart touching.
The War scene are dynamic... The battle scenes are ground breaking and upfront, the senses of comradeship, love, patriotism and courage all take a stand throughout the film. The music adds further to the epic, be it sad and haunting tunes or strong and stirring bagpiper autiful background music of Bagpiper is pleasant to hear. br> Mhairi calvey who play young murron is cute. Sophie marceau is good looking in the movie but not much to do in this flick. Mel is a great director... a good story teller... Catherine McCormack is gorgeous. she is more beautiful in this movie than any other movies she has been in. movie is perfect entertainer... One of my Favourite movies.
Braveheart is as close to perfection as a movie can be. The acting is superb, the man who played Lonshanks, should have been nominated for Oscars due to his powerful rendering of evil. Yes there is violence in this film but that violence does serve a freedom isn't free and sometimes it takes death, gruesome and horrible, to let ones people taste what it is like to be free. Braveheart is a great movie and it deserves to at least be in the top ten of IMDb's list of greatest films.
Mel Gibson deserved all the credit he received and more. His portrayal of William Wallace, one of Scotlands most mightiest warriors, was spot on. Wallace's emotional speech at the battle of Stirling still is inspirational, hat off to Mel Gibson. I hope he makes a few more movies like this one.

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LOL dudes holding the lance weird. Napoleon Bonaparte fols. Braveheart movie watch online with subtitles. Braveheart (1995) Watch Braveheart Full Movie Online free in HD, Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule. Genre: Action, Drama, History, War Production Country: United States of America Rating: 7. 8 / 15. 04 Release: 1995-05-24 Quality: HD. Whenever my hearts melts for true love existence, I just watch it and close my eyes. Braveheart movie what year is it based on.

Braveheart movie watch. Braveheart Movie. Braveheart movie character. Never heard of this, but that theme is amazing. Braveheart North American theatrical release poster Directed by Mel Gibson Produced by Mel Gibson Alan Ladd Jr. Bruce Davey Written by Randall Wallace Starring Mel Gibson Sophie Marceau Patrick McGoohan Catherine McCormack Music by James Horner Cinematography John Toll Edited by Steven Rosenblum Production company Icon Productions The Ladd Company Distributed by Paramount Pictures (North America) 20th Century Fox (International) Release date May 18, 1995 ( Seattle) May 24, 1995 (United States) Running time 178 minutes Country United States [1] Language English Budget $65–70 million [2] [3] Box office $210. 4 million [2] Braveheart is a 1995 American epic war film directed and co-produced by Mel Gibson, who portrays William Wallace, a late-13th-century Scottish warrior. The film is fictionally based on the life of Wallace leading the Scots in the First War of Scottish Independence against King Edward I of England. The film also stars Sophie Marceau, Patrick McGoohan and Catherine McCormack. The story is inspired by Blind Harry 's epic poem The Actes and Deidis of the Illustre and Vallyeant Campioun Schir William Wallace and was adapted for the screen by Randall Wallace. Development on the film initially started at Metro-Goldwyn-Mayer when producer Alan Ladd Jr. picked up the project from Wallace, but when MGM was going through new management, Ladd left the studio and took the project with him. Despite initially declining, Gibson eventually decided to direct the film, as well as star as Wallace. The film was filmed in Scotland and Ireland from June to October 1994 with a budget around $65–70 million. [4] Braveheart, which was produced by Gibson's Icon Productions and The Ladd Company, was distributed by Paramount Pictures in North America and by 20th Century Fox internationally. Released on May 24, 1995, Braveheart received generally positive reviews from critics, who praised the performances, directing, production values, battle sequences, and musical score, but criticized its inaccuracies regarding Wallace's title, love interests, and attire. [5] The film grossed $75. 6 million in the US and grossed $210. 4 million worldwide. At the 68th Academy Awards, the film was nominated for ten Academy Awards and won five: Best Picture, Best Director, Best Cinematography, Best Makeup, and Best Sound Effects Editing. A sequel, Robert the Bruce, was released in 2019, with Angus Macfadyen reprising his role. Plot [ edit] In 1280, King Edward "Longshanks" invades and conquers Scotland following the death of Alexander III of Scotland, who left no heir to the throne. Young William Wallace witnesses Longshanks' treachery, survives the deaths of his father and brother, and is taken abroad on a pilgrimage throughout Europe by his paternal uncle Argyle, where he is educated. Years later, in 1297, Longshanks grants his noblemen land and privileges in Scotland, including Prima Nocte. Meanwhile, a grown Wallace returns to Scotland and falls in love with his childhood friend Murron MacClannough, and the two marry in secret. Wallace rescues Murron from being raped by English soldiers, but as she fights off their second attempt, Murron is captured and publicly executed. In retribution, Wallace leads his clan to slaughter the English garrison in his hometown and send the occupying garrison at Lanark back to England. Longshanks orders his son Prince Edward to stop Wallace by any means necessary. Alongside his friend Hamish, Wallace rebels against the English, and as his legend spreads, hundreds of Scots from the surrounding clans join him. Wallace leads his army to victory at the Battle of Stirling and then destroys the city of York, killing Longshanks' nephew and sending his severed head to the king. Wallace seeks the assistance of Robert the Bruce, the son of nobleman Robert the Elder and a contender for the Scottish crown. Robert is dominated by his father, who wishes to secure the throne for his son by submitting to the English. Worried by the threat of the rebellion, Longshanks sends his son's wife Isabella of France to try to negotiate with Wallace as a distraction for the landing of another invasion force in Scotland. After meeting him in person, Isabella becomes enamored of Wallace. She warns him of the coming invasion, and Wallace implores the Scottish nobility to take immediate action to counter the threat and take back the country, asking Robert the Bruce to lead. In 1298, leading the English army himself, Longshanks confronts the Scots at Falkirk. There, noblemen Mornay and Lochlan turn their backs on Wallace after being bribed by the king, resulting in the death of Hamish's father, Campbell. Wallace is then further betrayed when he discovers Robert the Bruce was fighting alongside Longshanks; after the battle, after seeing the damage he helped do to his countrymen, the Bruce reprimands his father and vows not to be on the wrong side again. Wallace kills Lochlan and Mornay for their betrayal, and wages a guerrilla war against the English for the next seven years, assisted by Isabella, with whom he eventually has an affair. In 1305, Robert sets up a meeting with Wallace in Edinburgh, but Robert's father has conspired with other nobles to capture and hand over Wallace to the English. Learning of his treachery, Robert disowns and banishes his father. Isabella exacts revenge on the now terminally ill Longshanks by telling him that his bloodline will be destroyed upon his death as she is now pregnant with Wallace's child. In London, Wallace is brought before an English magistrate, tried for high treason, and condemned to public torture and beheading. Even whilst being hanged, drawn and quartered, Wallace refuses to submit to the king. The watching crowd, deeply moved by the Scotsman's valor, begin crying for mercy. The magistrate offers him one final chance, asking him only to utter the word, "Mercy", and be granted a quick death. Wallace instead shouts, "Freedom! ", and the judge orders his death. As Wallace's cry rings through the square, Longshanks hears it just before dying. Moments before being decapitated, Wallace sees a vision of Murron in the crowd, smiling at him. In 1314, Robert, now Scotland's king, leads a Scottish army before a ceremonial line of English troops on the fields of Bannockburn, where he is to formally accept English rule. As he begins to ride toward the English, he stops and invokes Wallace's memory. Hamish throws Wallace's sword, Braveheart, point-down in front of the English army, imploring his men to fight with Robert as they did with Wallace. With the Scots chanting Wallace's name, Robert then leads his army into battle against the stunned English, winning the Scots their freedom. The final shot of the film is the sun setting behind Braveheart as it sways in the wind. Cast [ edit] Production [ edit] This section needs expansion. You can help by adding to it. ( February 2020) Producer Alan Ladd Jr. initially had the project at MGM-Pathé Communications when he picked up the script from Wallace. [6] When MGM was going through new management in 1993, Ladd left the studio and took some of its top properties, including Braveheart. [7] Gibson came across the script and even though he liked it, he initially passed on it. However, the thought of it kept coming back to him and he ultimately decided to take on the project. [6] Gibson was initially interested in directing only and considered Brad Pitt in the role of William Wallace, but Gibson reluctantly agreed to play Wallace as well. [3] Gibson (right) on set with 20th Century Fox executive Scott Neeson Gibson and his production company, Icon Productions, had difficulty raising enough money for the film. Warner Bros. was willing to fund the project on the condition that Gibson sign for another Lethal Weapon sequel, which he refused. Gibson eventually gained enough financing for the film, with Paramount Pictures financing a third of the budget in exchange for North American distribution rights to the film, and 20th Century Fox putting up two thirds of the budget in exchange for international distribution rights. [8] [3] Principal photography on the film began on June 6, 1994. [9] While the crew spent three weeks shooting on location in Scotland, the major battle scenes were shot in Ireland using members of the Irish Army Reserve as extras. To lower costs, Gibson had the same extras, up to 1, 600 in some scenes, portray both armies. The reservists had been given permission to grow beards and swapped their military uniforms for medieval garb. [10] Principal photography ended on October 28, 1994. [11] The film was shot in the anamorphic format with Panavision C- and E-Series lenses. [12] Gibson had to tone down the film's battle scenes to avoid an NC-17 rating from the MPAA; the final version was rated R for "brutal medieval warfare ". [13] Gibson and editor Steven Rosenblum initially had a film at 195 minutes, but Sheryl Lansing, who was the head of Paramount at the time, requested Gibson and Rosenblum to cut the film down to 177 minutes. [14] According to Gibson in a 2016 interview with Collider, there is a four-hour version of the film and would be interested in reassembling it if both Paramount and Fox are interested. [15] Soundtrack [ edit] The score was composed and conducted by James Horner and performed by the London Symphony Orchestra. It is Horner's second of three collaborations with Mel Gibson as director. The score has gone on to be one of the most commercially successful soundtracks of all time. It received considerable acclaim from film critics and audiences and was nominated for a number of awards, including the Academy Award, Saturn Award, BAFTA Award, and Golden Globe Award. Release and reception [ edit] Box office [ edit] On its opening weekend, Braveheart grossed $9, 938, 276 in the United States and $75. 6 million in its box office run in the U. S. and Canada. [2] Worldwide, the film grossed $210, 409, 945 and was the thirteenth-highest-grossing film of 1995. [2] Critical response [ edit] Braveheart earned positive reviews; critics praised Gibson's direction and performance as Wallace, the performances of its cast, and its screenplay, production values, Horner's score, and the battle sequences. The depiction of the Battle of Stirling Bridge was listed by CNN as one of the best battles in cinema history. [16] However, it was also criticized for its depiction of history. The film holds a 77% approval rating at review aggregator Rotten Tomatoes, with an average score of 7. 25/10, based on 75 reviews. The site's consensus states "Distractingly violent and historically dodgy, Mel Gibson's Braveheart justifies its epic length by delivering enough sweeping action, drama, and romance to match its ambition. " [17] The film also has a score of 68 out of 100 on Metacritic based on 20 critic reviews indicating "generally favorable reviews". [18] Caryn James of The New York Times praised the film, calling it "one of the most spectacular entertainments in years. " Roger Ebert gave the film 3. 5 stars out of four, calling it "An action epic with the spirit of the Hollywood swordplay classics and the grungy ferocity of The Road Warrior. " In a positive review, Gene Siskel wrote that "in addition to staging battle scenes well, Gibson also manages to recreate the filth and mood of 700 years ago. " [19] Peter Travers of Rolling Stone felt that "though the film dawdles a bit with the shimmery, dappled love stuff involving Wallace with a Scottish peasant and a French princess, the action will pin you to your seat. " Not all reviews were positive, however. Richard Schickel of TIME magazine argued that "everybody knows that a non-blubbering clause is standard in all movie stars' contracts. Too bad there isn't one banning self-indulgence when they direct. " [20] Peter Stack of San Francisco Chronicle felt "at times the film seems an obsessive ode to Mel Gibson machismo. " [21] In a 2005 poll by British film magazine Empire, Braveheart was No. 1 on their list of "The Top 10 Worst Pictures to Win Best Picture Oscar". [22] Empire readers had previously voted Braveheart the best film of 1995. [23] Effect on tourism [ edit] The European premiere was on September 3, 1995, in Stirling. [24] In 1996, the year after the film was released, the annual three-day "Braveheart Conference" at Stirling Castle attracted fans of Braveheart, increasing the conference's attendance to 167, 000 from 66, 000 in the previous year. [25] In the following year, research on visitors to the Stirling area indicated that 55% of the visitors had seen Braveheart. Of visitors from outside Scotland, 15% of those who saw Braveheart said it influenced their decision to visit the country. Of all visitors who saw Braveheart, 39% said the film influenced in part their decision to visit Stirling, and 19% said the film was one of the main reasons for their visit. [26] In the same year, a tourism report said that the " Braveheart effect" earned Scotland £7 million to £15 million in tourist revenue, and the report led to various national organizations encouraging international film productions to take place in Scotland. [27] The film generated huge interest in Scotland and in Scottish history, not only around the world, but also in Scotland itself. [ citation needed] At a Braveheart Convention in 1997, held in Stirling the day after the Scottish Devolution vote and attended by 200 delegates from around the world, Braveheart author Randall Wallace, Seoras Wallace of the Wallace Clan, Scottish historian David Ross and Bláithín FitzGerald from Ireland gave lectures on various aspects of the film. [ citation needed] Several of the actors also attended including James Robinson (Young William), Andrew Weir (Young Hamish), Julie Austin (the young bride) and Mhairi Calvey (Young Murron). [ citation needed] Awards and honors [ edit] Braveheart was nominated for many awards during the 1995 Oscar season, though it was not viewed by many as a major contender such as Apollo 13, Il Postino: The Postman, Leaving Las Vegas, Sense and Sensibility, and The Usual Suspects. It wasn't until after the film won the Golden Globe Award for Best Director at the 53rd Golden Globe Awards that it was viewed as a serious Oscar contender. When the nominations were announced for the 68th Academy Awards, Braveheart received ten Academy Award nominations, and a month later, won five including Best Picture, Best Director for Gibson, Best Cinematography, Best Sound Effects Editing, and Best Makeup. [28] Braveheart became the ninth film to win Best Picture with no acting nominations and is one of only three films to win Best Picture without being nominated for the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture, the other being The Shape of Water in 2017 and followed by Green Book the following year. [29] [30] [31] The film also won the Writer's Guild of America Award for Best Original Screenplay. [32] In 2010, the Independent Film & Television Alliance selected the film as one of the 30 Most Significant Independent Films of the last 30 years [33] Year Ceremony Category Recipients Result 1995 68th Academy Awards Best Picture Mel Gibson, Alan Ladd Jr. and Bruce Davey Won Best Director Best Screenplay Written Directly for the Screen Randall Wallace Nominated Best Cinematography John Toll Best Costume Design Charles Knode Best Sound Andy Nelson, Scott Millan, Anna Behlmer and Brian Simmons Best Sound Effects Editing Lon Bender and Per Hallberg Best Film Editing Steven Rosenblum Best Makeup Peter Frampton, Paul Pattison and Lois Burwell Best Original Score James Horner 53rd Golden Globe Awards Best Motion Picture – Drama Braveheart Best Screenplay 49th British Academy Film Awards Best Direction Best Film Music Best Production Design Thomas E. Sanders Peter Frampton, Paul Pattison, and Lois Burwell Andy Nelson, Scott Millan, Anna Behlmer, and Brian Simmons 1996 MTV Movie Awards Best Movie Best Male Performance Most Desirable Male Best Action Sequence Battle of Stirling 48th Writers Guild of America Awards Writers Guild of America Award for Best Original Screenplay American Film Institute lists AFI's 100 Years... 100 Movies – Nominated [34] AFI's 100 Years... 100 Thrills – No. 91 AFI's 100 Years... 100 Heroes & Villains: William Wallace – Nominated Hero [35] AFI's 100 Years... 100 Movie Quotes: "They may take away our lives, but they'll never take our freedom! " – Nominated [36] AFI's 100 Years of Film Scores – Nominated [37] AFI's 100 Years... 100 Cheers – No. 62 AFI's 100 Years... 100 Movies (10th Anniversary Edition) – Nominated [38] AFI's 10 Top 10 – Nominated Epic Film [39] Cultural effects [ edit] Lin Anderson, author of Braveheart: From Hollywood To Holyrood, credits the film with playing a significant role in affecting the Scottish political landscape in the mid-to-late 1990s. [40] Wallace Monument [ edit] In 1997, a 12-foot (3. 7 m), 13-tonne (13-long-ton; 14-short-ton) sandstone statue depicting Mel Gibson as William Wallace in Braveheart was placed in the car park of the Wallace Monument near Stirling, Scotland. The statue, which was the work of Tom Church, a monumental mason from Brechin, [41] included the word 'Braveheart' on Wallace's shield. The installation became the cause of much controversy; one local resident stated that it was wrong to "desecrate the main memorial to Wallace with a lump of crap". [42] In 1998, someone wielding a hammer vandalized the statue's face. After repairs were made, the statue was encased in a cage every night to prevent further vandalism. This only incited more calls for the statue to be removed, as it then appeared that the Gibson/Wallace figure was imprisoned. The statue was described as "among the most loathed pieces of public art in Scotland". [43] In 2008, the statue was returned to its sculptor to make room for a new visitor centre being built at the foot of the Wallace Monument. [44] Historical inaccuracy [ edit] Randall Wallace, who wrote the screenplay, has acknowledged Blind Harry 's 15th-century epic poem The Acts and Deeds of Sir William Wallace, Knight of Elderslie as a major inspiration for the film. [45] In defending his script, Randall Wallace has said, "Is Blind Harry true? I don't know. I know that it spoke to my heart and that's what matters to me, that it spoke to my heart. " [45] Blind Harry's poem is not regarded as historically accurate, and although some incidents in the film that are not historically accurate are taken from Blind Harry (e. g. the hanging of Scottish nobles at the start), [46] there are large parts that are based neither on history nor Blind Harry (e. Wallace's affair with Princess Isabella). [5] Elizabeth Ewan describes Braveheart as a film that "almost totally sacrifices historical accuracy for epic adventure". [47] The "brave heart" refers in Scottish history to that of Robert the Bruce, and an attribution by William Edmondstoune Aytoun, in his poem Heart of Bruce, to Sir James the Good Douglas: "Pass thee first, thou dauntless heart, As thou wert wont of yore! ", prior to Douglas' demise at the Battle of Teba in Andalusia. [48] It has been described as one of the most historically inaccurate modern films. [5] Sharon Krossa noted that the film contains numerous historical errors, beginning with the wearing of belted plaid by Wallace and his men. In that period "no Scots [... ] wore belted plaids (let alone kilts of any kind). " Moreover, when Highlanders finally did begin wearing the belted plaid, it was not "in the rather bizarre style depicted in the film". She compares the inaccuracy to "a film about Colonial America showing the colonial men wearing 20th century business suits, but with the jackets worn back-to-front instead of the right way around. " [49] In a previous essay about the film, she wrote, "The events aren't accurate, the dates aren't accurate, the characters aren't accurate, the names aren't accurate, the clothes aren't accurate—in short, just about nothing is accurate. " [50] The belted plaid ( feileadh mór léine) was not introduced until the 16th century. [51] Peter Traquair has referred to Wallace's "farcical representation as a wild and hairy highlander painted with woad (1, 000 years too late) running amok in a tartan kilt (500 years too early). " [52] In fact, Wallace was a lowlander; thus, the mountains and glens of his home as depicted in the film are also inaccurate. Irish historian Seán Duffy remarked "the battle of Stirling Bridge could have done with a bridge. " [53] In 2009, the film was second on a list of "most historically inaccurate movies" in The Times. [5] In the humorous non-fictional historiography An Utterly Impartial History of Britain (2007), author John O'Farrell claims that Braveheart could not have been more historically inaccurate, even if a Plasticine dog had been inserted in the film and the title changed to " William Wallace and Gromit ". [54] In the DVD audio commentary of Braveheart, Mel Gibson acknowledges many of the historical inaccuracies but defends his choices as director, noting that the way events were portrayed in the film was much more "cinematically compelling" than the historical fact or conventional mythos. [5] Jus primae noctis [ edit] Edward Longshanks, King of England, is shown invoking Jus primae noctis, allowing the lord of a medieval estate to take the virginity of his serfs' maiden daughters on their wedding nights. Critical medieval scholarship regards this supposed right as a myth: "the simple reason why we are dealing with a myth here rests in the surprising fact that practically all writers who make any such claims have never been able or willing to cite any trustworthy source, if they have any. " [55] [56] Occupation and independence [ edit] The film suggests Scotland had been under English occupation for some time, at least during Wallace's childhood, and in the run-up to the Battle of Falkirk Wallace says to the younger Bruce, "[W]e'll have what none of us have ever had before, a country of our own. " In fact, Scotland had been invaded by England only the year before Wallace's rebellion; prior to the death of King Alexander III it had been a fully separate kingdom. [57] After Alexander III death in 1286 his granddaughter Margaret, Maid of Norway, succeeded to the throne of Scotland until her death in 1290 in Orkney. At one point, Wallace's uncle refers to a piper as “playing outlawed tunes on outlawed pipes. " Not only were bagpipes not outlawed at the time, they likely had not yet been introduced to Scotland. Further, the widely-held belief that bagpipes were banned by the Act of Proscription 1746 (400 years later), is erroneous. Bagpipes were never specifically outlawed in Scotland. Portrayal of William Wallace [ edit] As John Shelton Lawrence and Robert Jewett writes, "Because [William] Wallace is one of Scotland's most important national heroes and because he lived in the very distant past, much that is believed about him is probably the stuff of legend. But there is a factual strand that historians agree to", summarized from Scots scholar Matt Ewart: Wallace was born into the gentry of Scotland; his father lived until he was 18, his mother until his 24th year; he killed the sheriff of Lanark when he was 27, apparently after the murder of his wife; he led a group of commoners against the English in a very successful battle at Stirling in 1297, temporarily receiving appointment as guardian; Wallace's reputation as a military leader was ruined in the same year of 1297, leading to his resignation as guardian; he spent several years of exile in France before being captured by the English at Glasgow, this resulting in his trial for treason and his cruel execution. [58] A. E. Christa Canitz writes about the historical William Wallace further: "[He] was a younger son of the Scottish gentry, usually accompanied by his own chaplain, well-educated, and eventually, having been appointed Guardian of the Kingdom of Scotland, engaged in diplomatic correspondence with the Hanseatic cities of Lübeck and Hamburg ". She finds that in Braveheart, "any hint of his descent from the lowland gentry (i. e., the lesser nobility) is erased, and he is presented as an economically and politically marginalized Highlander and 'a farmer'—as one with the common peasant, and with a strong spiritual connection to the land which he is destined to liberate. " [59] Colin McArthur writes that Braveheart "constructs Wallace as a kind of modern, nationalist guerrilla leader in a period half a millennium before the appearance of nationalism on the historical stage as a concept under which disparate classes and interests might be mobilised within a nation state. " Writing about Braveheart ' s "omissions of verified historical facts", McArthur notes that Wallace made "overtures to Edward I seeking less severe treatment after his defeat at Falkirk", as well as "the well-documented fact of Wallace's having resorted to conscription and his willingness to hang those who refused to serve. " [60] Canitz posits that depicting "such lack of class solidarity" as the conscriptions and related hangings "would contaminate the movie's image of Wallace as the morally irreproachable primus inter pares among his peasant fighters. " [59] Portrayal of Isabella of France [ edit] Isabella of France is shown having an affair with Wallace after the Battle of Falkirk. She later tells Edward I she is pregnant, implying that her son, Edward III, was a product of the affair. In reality, Isabella was around three years old and living in France at the time of the Battle of Falkirk, was not married to Edward II until he was already king, and Edward III was born seven years after Wallace died. [61] [5] Portrayal of Robert the Bruce [ edit] Robert the Bruce did change sides between the Scots loyalists and the English more than once in the earlier stages of the Wars of Scottish Independence, but he never betrayed Wallace directly, and he probably did not fight on the English side at the Battle of Falkirk (although this claim does appear in a few medieval sources). [62] Later, the Battle of Bannockburn was not a spontaneous battle; he had already been fighting a guerrilla campaign against the English for eight years. [63] His title before becoming king was Earl of Carrick, not Earl of Bruce. [64] Portrayal of Longshanks and Prince Edward [ edit] The actual Edward I was ruthless and temperamental, but the film exaggerates his negative aspects for effect. Edward enjoyed poetry and harp music, was a devoted and loving husband to his wife Eleanor of Castile, and as a religious man, he gave generously to charity. The film's scene where he scoffs cynically at Isabella for distributing gold to the poor after Wallace refuses it as a bribe would have been unlikely. Also, Edward died on campaign two years after Wallace's execution, not in bed at his home. [65] The depiction of the future Edward II as an effeminate homosexual drew accusations of homophobia against Gibson. We cut a scene out, unfortunately... where you really got to know that character [Edward II] and to understand his plight and his pain... But it just stopped the film in the first act so much that you thought, 'When's this story going to start? ' [66] [ better source needed] Gibson defended his depiction of Prince Edward as weak and ineffectual, saying: I'm just trying to respond to history. You can cite other examples— Alexander the Great, for example, who conquered the entire world, was also a homosexual. But this story isn't about Alexander the Great. It's about Edward II. [67] In response to Longshanks' murder of the Prince's male lover Phillip, Gibson replied: "The fact that King Edward throws this character out a window has nothing to do with him being gay... He's terrible to his son, to everybody. " [68] Gibson asserted that the reason Longshanks kills his son's lover is because the king is a " psychopath ". [69] Gibson expressed bewilderment that some filmgoers would laugh at this murder. The real Sir Philip Mowbray was never murdered by Edward I. Edward I died in 1307, with Mowbray living past his death, until 1318. [70] [71] Wallace's military campaign [ edit] "MacGregors from the next glen" joining Wallace shortly after the action at Lanark is dubious, since it is questionable whether Clan Gregor existed at that stage, and when they did emerge their traditional home was Glen Orchy, some distance from Lanark. [72] Wallace did win an important victory at the Battle of Stirling Bridge, but the version in Braveheart is highly inaccurate, as it was filmed without a bridge (and without Andrew Moray, joint commander of the Scots army, who was fatally injured in the battle). Later, Wallace did carry out a large-scale raid into the north of England, but he did not get as far south as York, nor did he kill Longshanks' nephew [73] (however, this was not as wide of the mark as Blind Harry, who has Wallace making it as far south as St. Albans, and only refraining from attacking London after the English queen came out to meet him). [46] Edward's nephew John of Brittany did take part in the Wars of Scottish Independence, but he was not killed, dying of natural causes. [74] The "Irish conscripts" at the Battle of Falkirk are also unhistorical; there were no Irish troops at Falkirk (although many of the English army were actually Welsh) [75] and it is anachronistic to refer to conscripts in the Middle Ages (although there were feudal levies). The two-handed long swords used by Gibson in the film were not in wide use in the period. A one-handed sword and shield would have been more accurate. [76] Accusations of Anglophobia [ edit] Sections of the English media accused the film of harboring Anglophobia. The Economist called it " xenophobic ", [77] and John Sutherland writing in The Guardian stated that: " Braveheart gave full rein to a toxic Anglophobia". [78] [79] [80] In The Times, Colin McArthur said "the political effects are truly pernicious. It's a xenophobic film. " [79] Ian Burrell of The Independent has noted, "The Braveheart phenomenon, a Hollywood-inspired rise in Scottish nationalism, has been linked to a rise in anti-English prejudice". [81] Home media [ edit] Braveheart was released on DVD on August 29, 2000. [82] It was released on Blu-ray as part of the Paramount Sapphire Series on September 1, 2009. [83] It was released on 4K UHD Blu-ray as part of the 4K upgrade of the Paramount Sapphire Series on May 15, 2018. [83] Sequel [ edit] On February 9, 2018, a sequel titled Robert the Bruce was announced. The film will lead directly on from Braveheart and follow the widow Moira, portrayed by Anna Hutchison, and her family (portrayed by Gabriel Bateman and Talitha Bateman), who save Robert the Bruce, with Angus Macfadyen reprising his role from Braveheart. The cast will also include Jared Harris, Patrick Fugit, Zach McGowan, Emma Kenney, Diarmaid Murtagh, Seoras Wallace, Shane Coffey, Kevin McNally, and Melora Walters. Richard Gray will direct the film, with Macfadyen and Eric Belgau writing the script. Helmer Gray, Macfadyen, Hutchison, Kim Barnard, Nick Farnell, Cameron Nuggent, and Andrew Curry will produce the film. [84] See also [ edit] Outlaw King; although not a sequel, it depicts events that occurred immediately after the events in Braveheart References [ edit] ^ "Braveheart (1995)". British Film Institute. Retrieved March 28, 2017. ^ a b c d "Braveheart (1995)". Box Office Mojo. Retrieved February 7, 2013. ^ a b c THR Staff (April 18, 2017). "Mel Gibson Once Threw an Ashtray Through a Wall During 'Braveheart' Budget Talks". The Hollywood Reporter. Retrieved April 18, 2017. ^ "Braveheart (1995) - Misc Notes - ". Turner Classic Movies. Retrieved May 11, 2019. ^ a b c d e f White, Caroline. "The 10 most historically inaccurate movies". The Sunday Times. Archived from the original on June 15, 2011. Retrieved November 15, 2013. ^ a b gaspare88 (February 7, 2018), Making Of Braveheart Behind The Scenes Documentary, retrieved October 26, 2018 ^ Nollen, Scott Allen (January 1, 1999). Robin Hood: A Cinematic History of the English Outlaw and His Scottish Counterparts. McFarland. ISBN 9780786406432. ^ Michael Fleming (July 25, 2005). "Mel tongue-ties studios". Daily Variety. ^ " Braveheart 10th Chance To Boost Tourism In Trim". Meath Chronicle. August 28, 2003. Archived from the original on September 3, 2015. Retrieved April 30, 2007. ^ Chris Probst (June 1, 1996). "Cinematic Transcendence". American Cinematographer. Los Angeles, California, United States: American Society of Cinematographers. 77 (6): 76. ISSN 0002-7928. ^ Classification and Rating Administration; Motion Picture Association of America. "Reasons for Movie Ratings (CARA)". Archived from the original on December 11, 2010. ^ "Mel Gibson reveals secrets from behind the scenes of Braveheart".. Retrieved January 1, 2019. ^ Levine, Nick (October 26, 2016). "Mel Gibson has a whole hour of unseen 'Braveheart' footage for an extended cut". NME. Retrieved January 1, 2019. ^ "The best – and worst – movie battle scenes". CNN. March 30, 2007. Archived from the original on April 8, 2007. Retrieved April 1, 2007. ^ "Braveheart". Retrieved June 28, 2019. ^ Braveheart, retrieved October 26, 2018 ^ Siskel, Gene. "`CRUMB' DIGS DEEP AS THE OSCARS COME UP EMPTY".. Retrieved October 26, 2018. ^ Schickel, Richard (May 29, 1995). "CINEMA: ANOTHER HIGHLAND FLING". Time. ISSN 0040-781X. Retrieved October 26, 2018. ^ "FILM REVIEW -- Macho Mel Beats His Chest in Bloody `Braveheart ' ". SFGate. May 24, 1995. Retrieved October 26, 2018. ^ "Mel Gibson's "Braveheart" Voted Worst Oscar Winner". Archived from the original on February 3, 2013. ^ "Empire Award Past Winners - 1996".. Bauer Consumer Media. 2003. Retrieved September 16, 2011. ^ "Scotland a nation again for a night". The Herald. Glasgow. September 4, 1995. Retrieved July 10, 2016. ^ Zumkhawala-Cook, Richard (2008). Scotland as We Know It: Representations of National Identity in Literature, Film and Popular Culture. p. 147. ISBN 978-0-7864-4031-3. ^ MacLellan, Rory; Smith, Ronnie (1998). Tourism in Scotland. Cengage Learning EMEA. p. 230. ISBN 978-1-86152-089-0. ^ Martin-Jones, David (2009). Scotland: Global Cinema – Genres, Modes, and Identities. Edinburgh University Press. p. 14. ISBN 978-0-7486-3391-3. ^ "The 68th Academy Awards (1996) Nominees and Winners".. Archived from the original on September 29, 2012. Retrieved October 23, 2011. ^ " ' BRAVEHEART' CONQUERSGibson's epic wins Best PictureSarandon, Cage take acting honors. - Free Online Library".. Retrieved January 1, 2019. ^ "Oscars Avoids "Envelopegate" Repeat as 'The Shape of Water' Takes Home Best Picture Prize". Retrieved January 1, 2019. ^ America, Good Morning. "Oscars 2019: 'Green Book' wins best picture". Good Morning America. Retrieved February 27, 2019. ^ WELKOS, ROBERT W. (March 19, 1996). "WGA Members Prize 'Sensibility' and 'Braveheart ' ". Los Angeles Times. ISSN 0458-3035. Retrieved March 19, 2019. ^ "UPDATE: How "Toxic" Is IFTA's Best Indies? ". Deadline. Retrieved January 23, 2017. ^ AFI's 100 Years... 100 Movies (PDF). Retrieved June 20, 2013. ^ AFI's 100 Years... 100 Heroes and Villains Nominees Archived August 7, 2011, at the Wayback Machine ^ "AFI's 100 Years... 100 Movie Quotes Nominees" (PDF). Archived from the original (PDF) on March 28, 2014. Retrieved June 20, 2013. ^ "HollywoodBowlBallot" (PDF). Retrieved June 20, 2013. ^ "Movies_Ballot_06" (PDF). Retrieved June 20, 2013. ^ "AFI's 10 Top 10 Ballot" (PDF). Retrieved June 20, 2013. ^ Boztas, Senay (July 31, 2005). "Wallace movie 'helped Scots get devolution' – [Sunday Herald]". Archived from the original on July 2, 2013. Retrieved February 27, 2009. ^ "Wallace statue back at home of sculptor". The Courier. October 16, 2009. Archived from the original on October 20, 2009. Retrieved October 17, 2009. ^ Hal G. P. Colebatch (August 8, 2006). "The American Spectator". Archived from the original on October 12, 2007. Retrieved February 27, 2009. ^ Kevin Hurley (September 19, 2004). "They may take our lives but they won't take Freedom". Scotland on Sunday. Retrieved October 16, 2009. ^ "Wallace statue back with sculptor". BBC News. Retrieved October 16, 2009. ^ a b Anderson, Lin (2005). Braveheart: From Hollywood to Holyrood. Luath Press Ltd. p. 27. ^ a b Unmapping the Territory: Blind Hary's Wallace, Felicity Riddy's chapter in Edward Cowan's The Wallace Book (2007, ISBN 978-0-85976-652-4) ^ Ewan, Elizabeth (October 1995). "Braveheart". American Historical Review. 100 (4): 1219–21. doi: 10. 2307/2168219. ^ "Lays of the Scottish Cavaliers and Other Poems / Aytoun, W. (William Edmondstoune), 1813–1865". February 4, 2004. Archived from the original on March 29, 2012. Retrieved June 20, 2013. ^ Krossa, Sharon L. (October 2, 2008). "Braveheart Errors: An Illustration of Scale". Archived from the original on October 9, 2013. Retrieved June 15, 2009. ^ Krossa, Sharon L. (October 31, 2001). "Regarding the Film Braveheart". Archived from the original on November 13, 2012. Retrieved November 26, 2009. ^ "A History of Scottish Kilts | Authentic Ireland Travel". Archived from the original on December 5, 2013. Retrieved June 20, 2013. ^ Traquair, Peter (1998). Freedom's Sword. HarperCollins. p. 62 ^ "History Ireland". History Ireland. Retrieved January 30, 2016. ^ O'Farrell, John (2007). An Utterly Impartial History of Britain. New York City: Doubleday. p. 126. ISBN 978-0-385-61198-5. ^ Classen, Albrecht (2007). The medieval chastity belt: a myth-making process. London: Macmillan. p. 151. ISBN 9781403975584. Archived from the original on June 9, 2013. ^ "Urban legends website".. Retrieved June 20, 2013. ^ Traquair p. 15 ^ Shelton Lawrence, John; Jewett, Robert (2002). The Myth of the American Superhero. Grand Rapids, Michigan: Wm. B. Eerdmans. 163. ^ a b Canitz, A. Christa (2005). " ' Historians... Will Say I Am a liar': The Ideology of False Truth Claims in Mel Gibson's Braveheart and Luc Besson's The Messenger ". In Utz, Richard J. ; Swan, Jesse G. (eds. ). Studies in Medievalism XIII: Postmodern Medievalisms. Suffolk, United Kingdom: D. Brewer. pp. 127–142. ISBN 978-1-84384-012-1. ^ McArthur, Colin (1998). " Braveheart and the Scottish Aesthetic Dementia". In Barta, Tony (ed. Screening the Past: Film and the Representation of History. Praeger. pp. 167–187. ISBN 978-0-275-95402-4. ^ Ewan, Elizabeth (October 1995). The American Historical Review. Bloomington: Indiana University Press. 2307/2168219. ISSN 0002-8762. OCLC 01830326. ^ Penman, Michael Robert the Bruce: King of the Scots pp. 58-59 ^ Traquair pp. 128-176 ^ Traquair p. 58 ^ Traquair p. 147 ^ Della Cava, Marco R. (May 24, 1995). "Gibson has faith in family and freedom". USA Today. ^ Stein, Ruth (May 21, 1995). "Mel Gibson Dons Kilt and Directs". San Francisco Chronicle. ^ "Gay Alliance has Gibson's 'Braveheart' in its sights", Daily News, May 11, 1995, archived from the original on June 4, 2011, retrieved February 13, 2010 ^ Matt Zoller Seitz (May 25, 1995). "Icon: Mel Gibson talks about Braveheart, movie stardom, and media treachery". Dallas Observer. Archived from the original on December 22, 2007. Retrieved August 19, 2013. ^ "Philip Mowbray", The Battle of Bannockburn ^ Braveheart: The 10 historical inaccuracies you need to know before watching the movie ^ Way, George & Squire, Romily (1994). Collins Scottish Clan & Family Encyclopedia. pp. 220–221. ^ Traquair pp. 77-79 ^ Jones, Michael (2004). "Brittany, John of, earl of Richmond (1266? –1334)". Oxford Dictionary of National Biography. Oxford: Oxford University Press. 1093/ref:odnb/53083. ^ Traquair pp. 81-84 ^ Matt, Easton. "Two-handed swords in Ironclad, Braveheart, Robin Hood & Kingdom of Heaven". YouTube. Retrieved February 26, 2016. ^ "". May 18, 2006. Archived from the original on June 29, 2011. Retrieved February 27, 2009. ^ "John Sutherland". The Guardian. London. August 11, 2003. Archived from the original on August 20, 2009. Retrieved April 26, 2010. ^ a b " Braveheart battle cry is now but a whisper". Times Online. July 24, 2005. Retrieved February 27, 2009. ^ Colin, McArthur (2003). Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema. I. Tauris. p. 5. ISBN 978-1-86064-927-1. Archived from the original on June 10, 2013. ^ Burrell, Ian (February 8, 1999). "Most race attack victims `are white': The English Exiles – News". The Independent. Archived from the original on December 19, 2013. Retrieved February 27, 2009. ^ Various (August 29, 2000), Braveheart, Warner Bros., retrieved May 15, 2018 ^ a b "Braveheart DVD Release Date". DVDs Release Dates. Retrieved May 15, 2018. ^ Busch, Anita (February 9, 2018). "Angus Macfadyen-Led Action Drama 'Robert The Bruce' Drafts Jared Harris, Patrick Fugit & Others". Deadline Hollywood. Retrieved February 11, 2018. External links [ edit] Wikimedia Commons has media related to Braveheart. Braveheart on IMDb Braveheart at AllMovie Braveheart at Rotten Tomatoes Braveheart at Box Office Mojo Braveheart at Metacritic Roger Ebert's review of Braveheart.

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Braveheart movie critical acclaim. Watch movie braveheart online free. Braveheart full movie watch subtitles. Film by Gibson [1995] Braveheart, historical epic film, released in 1995, that was directed by and starred Mel Gibson and was loosely based on the story of 13th-century Scottish leader William Wallace. The movie was a surprise winner of the Academy Award for best picture. Mel Gibson in Braveheart (1995). © 1995 Twentieth Century-Fox Film Corporation; After William Wallace’s father and brother are killed in battle against the English, Wallace is sent to continental Europe to be educated. He returns to Scotland as an adult (played by Gibson) and marries his childhood sweetheart, Murron (Catherine McCormack. ) When English soldiers try to rape Murron, Wallace saves her but the soldiers make a second attempt and she is captured and executed. Wallace then leads his clan in slaughtering the English garrison, and he continues to fight to expel the English from Scotland, gaining increasing numbers of followers as stories of his exploits spread. He leads his outnumbered ranks to victory in the Battle of Stirling Bridge, and then he invades England and sacks the town of York. English King Edward Longshanks ( Patrick McGoohan) sends Princess Isabelle (Sophie Marceau), his son’s wife, to negotiate peace with Wallace, but she is charmed by him and becomes his ally. She warns Wallace of an impending English invasion. Wallace seeks the support of the Scottish nobility in the fight against the English, but the nobles are reluctant. Robert the Bruce (Angus Macfadyen) is particularly torn. The Scottish fighters are crushed by an army led by King Edward in the Battle of Falkirk after members of the Scottish nobility betray Wallace. Wallace tries to kill Edward himself but is intercepted by a lancer, who proves to be Robert the Bruce. Robert then saves Wallace from being captured by the English. Wallace spends the next several years engaged in guerrilla warfare against the English. He later agrees to meet with Robert in Edinburgh, but Robert the Elder ( Ian Bannen) and other nobles set a trap and capture Wallace. During his long and agonizing execution, Wallace refuses to submit to gain mercy and instead defiantly cries out, “Freedom! ” In an epilogue, Robert the Bruce leads the Scottish to victory over the English in the Battle of Bannockburn. The movie, inspired by a nearly 12, 000-line epic poem about Wallace by Harry the Minstrel and filmed largely in Ireland, triggered an upsurge of interest in Scottish history, although it contained numerous historical inaccuracies and anachronisms. Critics especially praised the massively scaled and extravagantly violent battle scenes. Production notes and credits Studios: Icon Productions and the Ladd Company Director: Mel Gibson Writer: Randall Wallace Cinematography: John Toll Cast Mel Gibson (William Wallace) Catherine McCormack (Murron) Patrick McGoohan (King Edward Longshanks) Sophie Marceau (Princess Isabelle) Angus Macfadyen (Robert the Bruce) Ian Bannen (Robert the Elder) Academy Award nominations (* denotes win) Picture* Cinematography* Costume design Direction* Editing Makeup* Music Sound Sound effects editing* Writing Patricia Bauer Learn More in these related Britannica articles: Scotland: The arts …renaissance after the success of Braveheart (1995), an American production that chronicles Scottish battles with the English in the 13th century and that helped rekindle nationalist aspirations. Other films, such as Trainspotting (1996), Orphans (1997), Young Adam (2003), and Red Road (2006), enjoyed wide success, and Scottish films now figure… Mel Gibson Gibson next directed the epic Braveheart (1995), in which he portrayed the Scottish national hero Sir William Wallace. The film won five Academy Awards, including best picture and best director. … William Wallace William Wallace, one of Scotland’s greatest national heroes, leader of the Scottish resistance forces during the first years of the long and ultimately successful struggle to free Scotland from English rule. ….

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The color palette is astonishing with the HDR and Dolby Vision enhancements. The Atmos soundtrack is incredible. Not only are the battle scenes immersive, but there are also smaller atmospheric items like the sound of thunder overhead during a storm along with the rain that just adds so much to the experience. The music and sound stage is robust and enveloping. I'm simply blown away with this presentation of Braveheart, and I'm thrilled to have the movie in my collection. This is a reference quality disk that will not leave you disappointed. Reviewed in the United States on July 9, 2018 Format: Prime Video Verified Purchase I just re-watched this movie after 20+ years and it has definitely aged well. Of course, it tells the tale of William Wallace a near-legendary 14th-century Scotsman who avenges the murder of his wife on the English and, ultimately, seeks freedom for all of Scotland. What sticks out still is the on-point direction and dynamic cinematography - the stag hunting scene is an instant classic - and the battle scenes are almost poetic in their brutality (going where only "Game of Thrones" does now). But the killer here still is the film's utter lack of fidelity to real facts, particularly when it comes to people Gibson holds in contempt. Yes, Edward I's son was definitely not straight but this has little to do with his reign - many monarchs have not been - and are not - straight. And, yes, his wife was unfaithful but never with a Scot. In fact, her son by Edward II wrought vengeance upon her and her lover when he, Edward III, came to power. No one would believe such a thing by just watching this movie. It is sad that Gibson has such clear talent but chooses to use it to portray history unfaithfully. In an age where people will believe just about anything, a giant question mark looms over this film - can you accept that it is a fabricated story and just watch it for it merits? Or is it a lesson best learned by not watching it at all? This is up to the viewer. Reviewed in the United States on October 26, 2018 Format: Blu-ray Verified Purchase So much has already been written about the movie itself that I'll focus on the 4K UHD Blu-ray instead of reviewing the movie--which I love, by the way! Mel Gibson's Best Picture Oscar winner looks absolutely fantastic in this 4K UHD Blu-ray presentation. The disc includes both HDR10 and Dolby Vision encoding, so whichever your system can reproduce, you're completely covered in that regard. This 4K version really delivers a notable upgrade in picture and sound quality from the previous 1080p Blu-ray version. Since this movie was shot on film (vs. digitally) there is some film grain visible, but it is usually minor and not a distraction from the otherwise reference quality picture. Finer detail, richer color and the wise application of HDR really step up the image quality, making this presentation a visual treat for the eyes. The new sound mix is also a welcome and very impressive treat for the ears--more enveloping, projecting a greater sense of spaciousness and detail than the previous version released on conventional Blu-ray. In all honesty, I've never seen this fine film look better and have never heard it sound better than it does on this spectacular new 4K UHD Blu-ray. If you love this movie, and have a 4K Blu-ray player and a 4K TV with high dynamic range, this is a disc which I highly recommend without any reservations. Braveheart is, quite frankly, among the very best examples of movies originally shot on 35mm film that have ever been offered to us in the 4K UHD Blu-ray format. Reviewed in the United States on July 6, 2016 Format: DVD Verified Purchase I own both the two-disc, Special Collector's Edition of this film, and two copies of the Widescreen Collection DVD. The main differences between the two versions are the addition, to the two-disc version, of an interview with the Writer, Randall Wallace, and a documentary about the historic William Wallace, as well as interviews with the following members of the cast: James Robinson (Young William Wallace) Brendan Gleeson (Hamish) Catherine McCormack (Murron, William's wife) James Cosmo (Campbell, Hamish' father) David O'Hara (Stephen) Angus Macfadyen (Robert the Bruce) Patrick McGoohan (King Edward I, a. k. a., Longshanks) Peter Hanly (Prince Edward) Sophie Marceau (Princess Isabelle) Both versions have a commentary track by the Director, Mel Gibson, recorded about four years after this film's release. I gathered this, because he mentions that Ian Bannen, who played Robert the Bruce's father, died "this year, " and Ian's biography on the Internet Movie Database indicates that he died in 1999; this film was released in 1995. Both versions have a making-of documentary, but they are different. I enjoyed Mel Gibson's commentaries in his commentary track, as well as the documentaries. He seems very respectful of those who helped him produce this award-winnning film, from Directors, such as Clint Eastwood, whom he learned from, down to the background extras. Mel also indicates unabashedly the scenes which are not historically accurate, but which he inserted for cinematic and literary effect. This version is worth buying for those who, like me, already owned a previous version, but just can't get enough of Braveheart! Top international reviews 1. 0 out of 5 stars Won't Play On Sony UBP-X800 Reviewed in the United Kingdom on December 1, 2018 Verified Purchase Just a heads up this disk causes my Sony UBP-X800 to freeze. I don't even get to see anything. It freezes on load and the only way I can make the player responsive again is to unplug the power. This has nothing to do with Regions as Amazon have confirmed it is correct. Amazon have also replaced the disk and the new one is exactly the same. Sony support just say "In reference to your enquiry about Brave Heart disc which doesn’t play, kindly note that after investigation in your case, we can confirm that it’s a disc issue. Kindly refer to 20th Century Fox who should provide a replacement disc". 13 people found this helpful Sending feedback... Thank you for your feedback. Sorry, we failed to record your vote. Please try again Report abuse 5. 0 out of 5 stars Freedom In 4K!!!!!! Reviewed in the United Kingdom on November 15, 2018 Verified Purchase One of favourite movies of all time-so I had to buy the 4k disc. I had the Blu-ray of Braveheart and it was great -but the 4k version is even better. You get two Blu-Ray Discs along with the 4K disc-which is great value for money. The 4K version of Braveheart has beautifully enhanced colour, tone etc. It takes you closer to the action and has ATMOS for enhanced sound. This would make a great double bill alongside new Robert The Bruce movie "Outlaw King" which is brilliant and a must see. 11 people found this helpful Not a dry eye in the house. Reviewed in the United Kingdom on September 22, 2019 Verified Purchase As self determination for an ancient country comes into view for Scotland again, it isn't surprising this film was a hit around the world with countries aiming for the same thing. Although historically inaccurate at times, it was inspirational to many. 2 people found this helpful Do not buy if you have a Sony player Reviewed in the United Kingdom on April 26, 2019 Verified Purchase The uhd version will not work on a Sony player I have seen one other reviewer service unfortunate I didn't notice it and so I had ordered the movie. I am giving the disc 1 star but to be honest it could just be the Sony player it's very hard to say 2. 0 out of 5 stars 4k disc just crashes my player Reviewed in the United Kingdom on March 15, 2019 Verified Purchase Got this played it Nada it just froze. I have an lg 4k hdr player. my my x box 4K works hd works fine on L. G got in contact with the seller he told me that he got in touch with Fox and they told him the latest batch are mainly miss but sometimes it could work like my X Box works uhd Lg doesn't could have had my money back but it works fine on the X Box; One person found this helpful Genuine SuperHero! Reviewed in the United Kingdom on August 29, 2019 Verified Purchase In an age of ersatz, unbelievable superheroes, we are reminded that William Wallace - 700 years ago - was the Real Deal of Superheros...... with superqualities of loyalty, courage, endurance, and devotion to duty! And Mel Gibson makes a fair fist at the great Scots hero! 4. 0 out of 5 stars Must Have Reviewed in the United Kingdom on April 7, 2015 Verified Purchase A great film to watch with a great cast of actors and actresses even though it is historically not correct in places. Mel Gibson is also great in the lead role as always never lets us down. As much as I enjoyed this film and would also recommend it to all to add to their collection I somtimes wonder what this already great film would of been like if the great Liam Neeson was in the lead role?. To understand what I mean watch another great film called Rob Roy then all will become clear. Regardless of aa that this film is a must have in my opinion and hope you enjoy it as much as we did. Inspiring Reviewed in the United Kingdom on May 28, 2019 Verified Purchase Love this film: inspiring especially if you’re having a difficult time: “All men must die, not all men truely live” “Your heart is free, have the courage to follow it” Love it Beautiful... Reviewed in the United Kingdom on September 19, 2017 Verified Purchase Blu-Ray version is faultless and if, like me, you saw it at the Cinema back in 1996, you'll love watching this. 3 people found this helpful Top movie, excellent story. Reviewed in the United Kingdom on December 9, 2019 Verified Purchase Excellent movie, bravery in the face of tyrants, nearly did it too. I love my history Reviewed in the United Kingdom on January 3, 2016 Verified Purchase Mel Gibson doesn't get much credit for this in my view, quite convincing portrayal of William Wallace, the Scottish commoner turned freedom fighter, I love my history, it has led me to learn more of the struggles Scotland and England had at the hands of the wannabe Emperor Edward Hammer of Scots Long Shanks, what we did to Wallace was nothing short of barbaric but what we did to his country is every bit as shocking. Must see! Stunningly put together 4k HDR Disc Reviewed in the United Kingdom on September 22, 2019 Verified Purchase Demo worthy Coe has never looked so good, a must buy for any 4k film collector Brave Heart DVD Reviewed in the United Kingdom on September 12, 2015 Verified Purchase Can't understand why I never purchased this DVD first time around but maybe it's because I am of Scottish descent and didn't like the brutality of that period of North/South History. However, the Anniversary Edition was well worth waiting for. Thanks for the ease with which I was able to order a copy. Excellent on 4k. Reviewed in the United Kingdom on January 26, 2020 Verified Purchase Five Stars Reviewed in the United Kingdom on February 26, 2018 Verified Purchase Unmissable based on true events centred around the life of William Wallace played by Mel Gibson. Report abuse.

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The final word should be reserved for Studio Ghibli's animation. The style used invokes something between impressionist paintings and water-colours while employing a muted palette. Ghibli moves away from traditional anime and the results are breathtaking. The hand drawn frames could each stand alone as a portrait and yet the film feels fluid. At times the animation blurs into expressionism; the brush strokes matching the characters inner- turmoil.
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2:12 when u recorded yo self with a gopro cam. Peter rabbit 2 rating. Production Notes from IMDbPro Status: Completed | See complete list of in-production titles » Updated: 17 May 2019 More Info: See more production information about this title on IMDbPro. Learn more More Like This Adventure Comedy Family 1 2 3 4 5 6 7 8 9 10 6. 5 / 10 X Feature adaptation of Beatrix Potter's classic tale of a rebellious rabbit trying to sneak into a farmer's vegetable garden. Director: Will Gluck Stars: James Corden, Fayssal Bazzi, Domhnall Gleeson Animation Sequel to the 2016 animated hit. Directors: Walt Dohrn, David P. Smith Justin Timberlake, Ozzy Osbourne Thriller War The film follows a nameless ex-Nazi captain who navigates the ruins of post-WWII Germany determined to atone for his crimes during the war by hunting down the surviving members of his former SS Death Squad. Justin Kurzel Margot Robbie, Matthias Schoenaerts Drama The story of Lillian Leitzel, a trapeze artist who in the early 20th century was one of the biggest stars in the world as she performed for the Circus. Her tragic love affair with Alfredo Codona, one of the best trapeze artists to ever exist, also was chronicled. The two were tempestuous artists, divas and madly in love. Their rise to fame is tracked, from the mud-caked small-town circuses to the... See full summary » Fantasy A remarried widow is given an unusual offer to relive her first love as the end of her life draws closer. Biography The story of American spy, Virginia Hall, who worked for the British intelligence during World War II. Action Mourning over the death of her beloved, Robin Hood, Maid Marian, wages a war to fight for a noble cause. A young woman who suffered a brain injury as a little girl is forced to live with her brother in New York so that he can look after her. Romance A Polish art student's love affair with her best friend's older brother is torn apart by the German invasion. Crime Arrested for murder, Jane Charlotte, says she's a member of the 'Bad Monkeys', a secret organization that fights evil, and lands in the prison's psychiatric wing where she plots her next move. Following three of Gotham City's most notorious female criminals on one of their most dangerous missions yet. A classroom prank goes out of control. Cody Blue Snider Margot Robbie Edit Storyline The sequel to the 2018 film, 'Peter Rabbit'. After the marriage of Bea and Thomas along with the release of the acclaimed novel based on the adventures of Peter and his friends, Peter is feeling like everyone only sees him as rebellious. So, when Bea and Thomas decide to go on a trip, Peter sees this as an opportunity to go on the run. Written by samoq1122 Plot Summary Add Synopsis Taglines: The Garden Was Small Potatoes. Details Release Date: 3 April 2020 (USA) See more » Also Known As: Peter Rabbit 2: The Runaway Company Credits Technical Specs See full technical specs » Did You Know? Crazy Credits The Torch Lady in the Columbia Pictures logo holds a large carrot instead of a torch. See more ».

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BELCHITE (Zaragoza - España) El pueblo Fantasma de la Guerra Civil

BELCHITE (Zaragoza - España) El pueblo Fantasma de la Guerra Civil

Situado a 45 kilómetros de Zaragoza, Belchite Viejo fue uno de los pueblos más castigados por la Guerra Civil Española. El pueblo entero se convirtió en un campo de batalla y se estima que en tan solo 15 días murieron hasta 3.000 personas. Tanto los combatientes como los vecinos del pueblo sólo se lamentaban, espantados, preguntándose así mismos que les iba a pasar, que iba a ser de ellos.

Todo indica que esas almas atormentadas y esos lamentos espeluznantes aún permanecen atrapados en sus ruinas. Allí se han conseguido grabar psicofonías realmente terroríficas. Éstas son estremecedoras, recreando la guerra o mejor dicho como si la guerra aún continuase para ellos, una guerra sin fin, una guerra que aún hoy podemos escuchar en ellas. En ellas aún se escucha el dolor, se siente la deseperación...

Rumores aseguran haber notado extrañas presencias. Otras leyendas de la epoca dicen haber visto formas fantasmales vagando por el pueblo.


Pero, cómo ya hemos dicho, la mayor muestro de la maldición de Belchite son la gran cantidad de psicofonías conseguidas allí: desde voces humanas que gritan, súplicas de ayuda o de piedad o, incluso, un avión dejando soltar una bomba y el estruendo de la misma.
Pero entre todas las leyendas que existen del pueblo de Belchite, hay una que es extremadamente terrorífica:

Se cuenta que un grupo de parapsicólogos había ido a Belchite a investigar e intentar grabar algo realmente esclarecedor. Después de pasear por el pueblo buscando sitios inquietantes dónde empezar a grabar, se decidieron por la iglesia ya que ésta había sido la prisión improvisada de los soldados cogidos del otro bando.

Entraron y antes de empezar las grabaciones oyeron una voz masculina que, con un fuerte acento baturro, decía “Sacadme de aquí...Sacadme de aquí...¡¡SACADME DE AQUÍ!! Emocionados, todo el grupo empezó a enchufar las grabadoras y a tomar notas, haciendo caso omiso de lo que la voz les decía. Fue en ese preciso instante cuando la misma voz, con un tono enojado e impaciente, empezó a gritarles que se fueran. "¡¡Largo de aquí!! ¡¡LARGO!!"
Alarmados, todos abandonaron la iglesia.
Un trozo de techo se desplomó, justo encima del lugar donde habían estado grabando...

Hoy día el pueblo está desierto, sin vida. Sólo están las ruinas tal y como quedaron después de aquella guerra civil de 1936.

 

La casa Matusita

La casa Matusita

Hace muchísimo tiempo en esa casa vivía un señor muy perverso, y con él vivían sus dos sirvientes: la cocinera y el mayordomo; el señor era muy perverso con estos sirvientes, los maltrataba, los insultaba..., los sirvientes se llenaron de odio, y un día en que el señor brindaba una cena a unos amigos los sirvientes decidieron ponerle a la cena un líquido que hiciera que los invitados y el mismo dueño de la casa se volvieran locos, y alucinaran, sólo por venganza hacia el señor.

Cuando todos estaban sentados en la mesa, la cocinera ya había servido los platos con el líquido alucinógeno en ellos, el mayodormo sirvió la cena y al salir de la habitación (comedor) cerró la puerta por fuera. Pasados unos 15 minutos escucharon gritos, insultos, platos que se rompían, murmullos, y personas completamente aterradas. Después de un largo escándalo empezó un silencio sepulcral.

Los sirvientes pensando que ya todo estaba más calmado decidieron abrir la puerta del comedor, y para su sorpresa al abrir la puerta vieron el más macabro panorama: miraban a su alrededor y veían sangre, pedazos de cuerpo, ojos, manos, órganos internos, charcos de sangre, la cara de los invitados mostraban algunas terror otras odio, cabezas cortadas, era tan feo lo que veían que los mismos sirvientes se volvieron locos y se mataron en el mismo salón donde estaban el dueño y sus invitados.

Y se dice que desde esa época se escuchan conversaciones, luego gritos, amenazas tal cual pasó la noche de la masacre, y toda persona que ahí va se vuelve loca, ya que vuelve a vivir lo que un día ahí pasó.

Solo una ilusion

Solo una ilusion

He pasado mucho miedo, señora María. Como nunca en mi vida, se lo puedo asegurar.
-He visto el cuerpo de ese animal, Angelica…
La mujer se me quedó mirando con miedo. Yo me quedé sin palabras. De pronto, dejó caer una lágrima.
-Dios mío…si mi marido estuviera aquí… esto no hubiera pasado... todo esto es tan horrible y… extraño…
-Está en lo cierto. Pero no voy a dejar que nos pase algo, ¿entiende señora María? No tiene de que preocuparse. Esas malditas criaturas no pasarán del umbral de la puerta. No lo permitiré.
La señora me miró y me sonrió. Solo nos teníamos el uno al otro. Era reconfortante saber que una no está sola en los momentos difíciles. Que hay alguien que está pendiente de ti. Yo estaba en deuda con esa mujer: aquella noche me salvó la vida al abrirme la puerta y yo se la salvé a ella al matar a aquella cosa en su porche trasero. Había matado a una de esas criaturas… y estaba dispuesta a matarlas a todas por salvar la vida de esa frágil y amable anciana llamada María.
-Señora María…-me levanté después de terminarme el café.-si no le importa… voy a descansar. Tengo la espalda destrozada y no he descansado nada, si no es mucho pedir…
-No, niña, descansa que te lo mereces…
-Si escucha algo… ya sabe…
-Tranquila… lo haré.
La sonreí de nuevo. Me encerré en la habitación. Mi cuerpo exhausto había caído en el blandísimo colchón de espuma blanca y, en pocos minutos, había logrado dormirme.
Pasaron las horas. El cielo se fue despejando poco a poco. Mi mente descansaba en blanco, salvo pequeños resquicios de una frase que se repetían constantemente… “…asesina…asesina…asesina” logré apartar esa pesadilla por segunda vez consecutiva y logré tener un sueño divino. Uno de esos descansos que recomponen a cualquier persona por muy destrozada que estuviera. Lo necesitaba. Y como lo agradecía.
Un rugido me despertó del plácido sueño que estaba teniendo. Enseguida temí lo peor: un nuevo ataque estaba a punto de dar comienzo en plena tarde. Me levanté de la cama de un salto y de un gesto rápido cogí la escopeta. El sudor caía por mi frente. Mientras me asomaba por la ventana, pude ver de qué se trataba. No era el rugido de ningún animal, sino que se trataba del ruido del motor de un coche que acababa de aparcar. Sorprendida, pude comprobar que un tipo alto con un traje de color crema y gafas de sol se bajaba de él. Su presencia me inquietaba. No me gustaba.
El tipo llamó varias veces a la puerta. La anciana apenas tardó en abrirle. Yo me quedé en el umbral de la puerta de mi habitación observando como la mujer le invitaba a pasar. El tipo agradeció su cordialidad, se sentó en el sofá y se dispuso a hablar con la mujer. No me había visto.
-Buenas tardes señora…me presentaré. Soy policía, mi nombre es Juan Santoro. Detective Santoro para muchos.
La mujer no pudo ocultar su complacencia.
-¡Oh, señor Santoro! No sabe usted cuanto tiempo hemos estado esperándole. Ayer por la noche… nos asaltaron… sí, señor detective ha oído bien. Nos asaltaron.
-¿Qué les asaltaron?
-Sí… no se lo va a creer pero unos animales… no sabemos si del bosque o de otro sitio nos atacaron a una amiga mía y a mí. Mi amiga mató a uno de ellos. Está en la parte de atrás. Nos hemos mantenido en esta cabaña todo este tiempo. Algo diabólico está teniendo lugar en el bosque… ¿sabe? Algo malo, realmente malo.
-Señora…-el hombre se sentó en la mecedora.- ¿de que demonios está usted hablando?-el detective no podía salir de su asombro.
-Ayer por la noche… una chica vino a verme pidiendo ayuda. Me dijo que unas criaturas le habían herido de gravedad y que estaban persiguiéndole. Vio unos rayos de fuego que surgían en el campo. Sí, señor, eso es verídico. Después salió un momento fuera y mató a una de ellas. Yo la vi con mis propios ojos, señor. Sí. Así es, la vi. Se ha quedado toda la noche haciendo guardia y está ahí, descansando en la habitación de al lado.
La mujer señaló a la puerta desde la cual yo estaba viendo a ambos. El policía miró súbitamente hacia mi dirección y yo logré echarme a un lado justo a tiempo para que no me viera. Después de mirar un poco la puerta entreabierta sin demasiado interés, el detective Santoro se volvió a dirigir a la abuela con una cara de severa preocupación...
Después de mirar un poco la puerta entreabierta sin demasiado interés, el detective Santoro se volvió a dirigir a la abuela con una cara de severa preocupación.
-Señora… ¿conoce a esa chica?
-No, señor detective. Ayer por la noche fue la primera vez en mi vida que le vi. Jamás en mi vida le había visto. Nunca.
-Ya… ¿y sabe como se llama?
-Sí señor, lo sé. Su nombre es Angelica Santos.
-¿Angelica Santos? Angelica Santos, Angelica Santos…
El tipo se quedó repitiendo mi nombre varias veces. Parecía querer gastarlo. Me resultó muy molesto. De pronto se puso en pie y cogió a la señora por el hombro.
-Señora… me temo que no es posible que el nombre de esa joven sea Anelica Santos.
Mi corazón dio un vuelco súbito. La señora se quedó mirando con cara de asombro al policía. ¿Por qué diablos no podía ser Angelica Santos mi nombre?
-Señor policía… ¿de que me está hablando?
-Le digo que la joven que está usted hospedando no puede tener como nombre Angelica Santos… porque Angelica Santos está muerta. Le asesinaron ayer por la tarde.
-¿Qué?
Mis manos comenzaron a temblar… ¿de que demonios estaba hablando aquel tipo?¿estaba diciendo que yo había muerto? Aquello era imposible… cada vez me resultaba más difícil contenerme detrás de la puerta. No podía aguantar esa conversación, era superior a mí…
…asesina, asesina, asesina…
Me estaba volviendo loca.
-Señora, lamento decirle esto… pero Angelica Santos fue una de las que fueron asesinadas ayer en un camping no muy cercano. ¿No ha visto las noticias? La policía organizó ayer una redada en un radio de diez kilómetros en torno al camping. Llevamos toda la noche intentando buscar al autor de estos asesinatos.
¿Qué,que,que?¿Que estaba diciendo?
-Parece ser que se trataba de un grupo de seis amigas. Una de ellas se volvió loca y se explayó con sus otras cinco amiguitas, matándolas a todas a base de cuchilladas. Tenemos sus datos: su nombre es Veronica Romero. Mis agentes y yo le encontramos medio perdida. Vagaba por la mitad de la calzada y parecía no recordar muy bien quien era. Intentamos detenerle pero echó a correr y le perdimos en el bosque. Después llamé a mis muchachos para hacer un barrido en todo el bosque y soltamos perros por doquier. Iluminamos el campo con focos para poder encontrarla pero no tuvimos suerte. Toda la noche intentando encontrarle pero no pasó nada. No le encontramos y además, perdimos dos pastores alemanes. No sabemos donde pueden estar… pero si sabemos una cosa: que ells es un peligro potencial, una bomba a punto de estallar. Creemos que puede tratarse de un brote psicótico originado por algún síntoma de mal estar y lo más seguro es que ahora mismo esté desorientada: sin que sepa ni quien es ni que hizo.
…asesina…asesina…asesina…¿Perros?¿Focos?¿Que, que diablos estaba diciendo ese maldito?¿estaba acusándome de asesinato?¿A mí? ¿Yo soy… Veronica… Veronica Romero? Pero… como es posible… no…puede…ser…yo soy Angelica, Angelica Santos. O…mi nombre era… ¿Rosa?¿Ana?¿Esther?¿Johana?¿Como puedo conocer sus nombres? Por el amor de Dios. Dios bendito escúchame. Yo… no conocía a nadie excepto esa señora. Esa señora era mi única amiga. Ella me ayudó a enfrentarme contra esos diabólicos seres… esos… esos… seres de ultra mundo… no, aquellos no eran perros, aquellos eran súbditos del diablo que intentaron atacarme y matarme. Querían mi sangre, querían mi alma y yo no estaba dispuesta a dársela. No a esos seres de ultra mundo. No a ellos. Mi alma es tuya señor… tú lo sabes… estoy en deuda con esa mujer. Ahora el hombre intentaba convencerme acerca de esos rayos infernales que cruzaban el cielo… decía que eran focos… pero no lo eran…¡profanador! eso era lo que quería que la mujer creyera, que se trataban de unos simples focos de luz para poder encontrarme. Sí, querían encontrarme para arrestarme y hacerme pagar por mis pecados. Pero yo no les iba a dejar. No… maldito cuerpo de policía infernal… malditos súbditos del diablo a los que yo llamaba amigos… no se merecían tal apodo… no se lo merecían. ¿Brote psicótico?¿De… de que estaba hablando? Yo estaba… estaba tan cuerda como nunca… maldita sea. Estaba cuerda. Cumplía la gracia del señor. Es cierto. Tenía que hacer una cruzada en contra de esas almas en pecado… yo era su purgatorio… su única salvación… él me lo dijo…

Tenía que hacer una cruzada en contra de esas almas en pecado… yo era su purgatorio… su única salvación… él me lo dijo…
Me centré y me relajé. Notaba el bulto de mi costado. Eché mano a ese bulto y descubrí que no se trataba de ninguna costilla rota, sino de una funda atada en la que guardaba un cuchillo de caza de aproximadamente treinta centímetros de longitud. Ese era el arma con el que (en teoría) yo había matado a mis cinco amigas. Saqué el arma de su funda y observe su perfecta hoja afilada llena de motitas de sangre. Ahora podía entenderlo todo. Todo lo que había sucedido aquella noche y todo lo anterior a aquella noche. Por fin lo entendí y comprendí que aquel hombre estaba en lo cierto. Sí, así es. Maté a mis amigas. Las maté con ese cuchillo. Era cierto. También es cierto que no existían seres de otro mundo ni rayos infernales. Es cierto. Todo fue un engaño de mi mente, que me hizo inventarme todas esas mentiras para poderme justificar. Sí. Tenía razón. Era una asesina, no se equivocaba. Maldita sea, estaba en lo cierto. Había engañado a la vieja. La había vuelto loca por unas sandeces sin sentido. Creyó todo lo que le había dicho. Y yo creía poder ser capaz de comenzar una vida creada a mi gusto. Una vida que comenzara de cero. Y si eso tenía que significar acabar con mi pasado, que así fuera. Contaba con la ayuda y el apoyo de Dios todopoderoso. Mis amigas tenían que morir. Sí. Tenían que morir. No había otra forma. No había otro método. Tal vez mi mente torturadora buscaba excusas para explicar todo lo que me sucedía. Tal vez me engañara a mí misma para poder ser feliz. Una sonrisa se había dibujado en mi cara. Mi mente… mi mente estaba limpia y clara: había renacido.
En ese momento, un movimiento lento me hizo despertar del coma profundo en el que estaba sumido. El policía estaba abriendo lentamente la puerta de mi habitación con su pistola reglamentaria, una nueve milímetros, en su mano.
-¿Hola? Chico… ¿estás ahí? No me lo pensé dos veces… cerré la puerta sobre su brazo de forma brusca. El tipo aquel… Santoro, se puso a gritar y dejó caer la pistola al suelo. No cesé de cerrar y abrir la puerta una y otra vez hasta que me cerciore de que el hueso de su brazo se había roto. El chasquido sonó en toda la casa y el hombre cayó al suelo medio conmocionado. Comenzó a gritar y a moverse: su codo se había salido de su sitio y el hueso asomaba ligeramente en uno de sus extremos. Me asomé para comprobar el estado de aquel hombre. No paraba de moverse sobre sí mismo. Yo llevaba la escopeta de caza en mi mano izquierda y con la mano derecha recogí su arma del suelo. Después me quedé observándole un buen rato. Era una imagen preciosa. Aquel hombre… se había derrumbado, se había tenido que arrodillar frente a todo el poder que yo tenía. Parecía un diablo que había sido vencido y que ahora estaba convulsionándose entre su propia sangre…
Me acerqué a él y me puse a observar cada uno de sus gritos de clemencia y piedad completamente inútiles; el pobre pensaba que iba a librarse de la muerte. En el otro extremo de la habitación, la señora María lloraba y lloraba desconsolada en una esquina. Tenía mucho miedo. Su mirada, sus ojos, delataban su miedo, su terror. Eso… era una cosa que realmente me confortaba. Me gustaba el saber que la gente tenía miedo de mí. Me hacía sentir poderosa. Poderosa frente al mandato que Dios me había ordenado.
Me levanté, y al hacerlo, le descargué un tiro de escopeta en la cara al detective Santoro. Sus ojos saltaron por los aires y sus sesos adornaron la alfombra de la habitación, tiñéndola de color rojo. El tipo dejó de moverse y dejó de gritar. Todo un alivio para mi cabeza, porque, de verdad, me dolía terriblemente. Después de esto, la anciana intentó salir de la casa por la puerta. Sus manos nerviosas no pudieron abrir. Sin embargo, el cañón de mi escopeta pudo encontrar su espalda. Apreté el gatillo rápidamente y el retroceso casi me hace caer al suelo. Los perdigones se estrellaron sobre su columna y la mujer se desplomó contra la pared, rebotando en ella y cayendo al suelo completamente muerta. Era una escena francamente preciosa, toda la habitación inundada de humo. Podía quedarme observándola todo el resto de mi vida. Ese silencio tan mortal… era magnífico. Era reconfortante. Retransmitía PAZ. Paz en mi interior. Paz en mi mente. Las voces… se habían callado. Ya no hablaban, ya no me acusaban. A Dios le había gustado mi acometido. Podía seguir adelante, me animaba a ello.
Registré el cuerpo del policía y encontré las llaves de su coche. No podía llevarme la escopeta porque era demasiado grande y muy poco útil; en cambio, la nueve milímetros era un arma perfecta para mí, así que la introduje en el bolsillo de mi pantalón. Eché un último vistazo a mis espaldas y vi por última vez ese maravilloso cuadro mortal formado por los cadáveres de esos dos súbditos del diablo. Eran auténticos siervos de Satanás a pesar de su apariencia tan inocente, así que mi conciencia estaba tranquila, tranquila al saber que le había hecho un favor al mundo y que Dios estaba contento conmigo… su poder se había alzado victorioso contra todos esos profanadores y sacrílegos… ¿Sádica? Yo no soy una sádica: solo soy una enviada de Dios.
Abrí el coche. El vehículo hizo un pequeño ruidito con la bocina y las cerraduras se abrieron de golpe. Abrí la puerta del conductor y me introduje dentro. Metí las llaves en el contacto y el coche arrancó sin apenas forzarlo. Puse la radio: había una canción. Me gustaba el tono optimista de ésta, la cantaba una chica. Su melodía suave y armoniosa se apoderó de mí. Intenté tararear la letra pero apenas la conocía, así que hice el ridículo. Esbocé una sonrisa. Pisé el acelerador suavemente y fui cambiando de marchas hasta llegar a una carretera que desembocaba en la autopista. Allí podría decidir a que ciudad ir.
Entonces fuiste tú, señor, quien con tu dedo firme me indicaste el nuevo lugar en el que yo podría seguir liberando almas repletas de maldad. Tú me indicaste el camino a seguir y me hiciste conocer todo tipo de nuevas profanaciones que necesitan de mi apoyo para obtener tu perdón definitivo. A cambio de cumplir tu cometido, tú me regalarás una nueva vida, una nueva personalidad. Por eso, gracias a ti y a mi nuevo nombre, ahora conozco nuevos ambientes, nuevas formas de trabajo y también…